Tough Pigs Anthology

The Decline and Fall of Gorch

Part Two: The Fall -- July 2002

The Gorch Anthology

Anthology Contents

 

Chapter 12

Homeless!

 

in which Ploobis and Scred hit the road

 

(March 13, 1976 -- host Anthony Perkins)

 

   When we last left Gorch, in January 1976, Jim Henson and Frank Oz had gone to England to work on The Muppet Show... leaving Jerry Nelson at Saturday Night Live to do some solo Scred. 

 

   Nelson and Alice Tweedy performed the inspired "sex device" sketch on January 17th, and Scred appeared in a bee costume to introduce Neil Sedaka on January 24th... and then almost two months passed before the Muppets appeared on SNL again. 

 

   But Henson and Nelson were back from England on March 13th, and they made a horrifying discovery...

 

 

[ Guest host Tony Perkins is on stage, introducing the musical act... when he's interrupted by Ploobis and Scred. ]

 

Ploobis

 

Say, Perkins -- can we talk to you for a second, here?

 

Tony

 

Who are you guys again?

 

Ploobis

 

Uh, the Muppets, the Muppets. Tell 'im, Scred.

 

[ There's a round of applause. Ploobis looks surprised. ]

 

Scred

 

We were gone for a while... we were over in England, y'know, doing a show over there, and we came back... and, uh, they destroyed our Gorch.

 

Tony

 

... What's your Gorch?

 

Ploobis

 

Our Gorch! Gorch! Our land! That's our homeland! That's our scenery! They just burned it to death.

 

Tony

 

Oh, no.

 

Ploobis

 

Yes, they did.

 

Scred

 

Yeah, we don't even have a dressing room anymore. There's a whole bunch of bees out there playing blackjack.

 

Ploobis

 

Well, listen, you're supposed to be the star of the show, tell me, what are ya gonna DO about it? [ He grabs Tony by the collar. ]

 

Tony

 

Yeah, but I'm just the star of this show. I'm only doing the show this week. I'm not here every week. I'm not the right person to talk to about this.

 

Scred

 

See, I told ya!

 

Ploobis

 

Well, who should we talk to, then?

 

Tony

 

Well, wait a second, we're right in the middle of a show now. This is the show. You see those red lights? This is the show. Wait a second, go out in the hall and wait for me, and I'll try to fix this up for you, and I'll get back to you in a minute.

 

Ploobis

 

No, no, see, you don't understand... we're big stars! We get to do our thing! You're gonna introduce us. We get to do a big --

 

Scred

 

Oh, yeah, they write letters in about us and everything. We gotta do the show. Where's our spot?

 

Tony

 

Listen, I understand about your spot, but, y'know, that's show business. The same thing happens to everyone sooner or later. Look at me. I mean, four weeks ago, I was on Broadway in Equus. Now they've got me swallowing flies on late-night TV.

 

Ploobis

 

Listen, where'd you get those flies? I'm hungry myself.

 

Scred

 

You could get us on this show. Just try a little friendly persusasion.

 

Tony

 

Tell you what. Go out into the hall, take a right, and you'll find my dressing room. Just wait there, relax a minute, and I'll be with you in a little while.

 

Ploobis

 

Well, all right. C'mon, Scred.

 

Scred

 

Thanks a lot, Mr. Gherkins!

 

[ They leave. ]

 

Tony

 

That's... that's Perkins...

 

 

But that's not all... later on, Tony appears in a sketch where he picks up Gilda Radner in a bar. They work in the same building, and they say "hi" on the elevator all the time. He asks her to sleep with him, and she agrees, amazed at what might happen when you just say "hi" to someone on the elevator. He leads her towards the exit -- and on the way, the waitress says "hi," and the women at a couple of tables say "hi"... Then he spots Scred, in a cubbyhole by the stairs...  

 

 

Scred

 

Hi!

 

Tony

 

Uh... you go on upstairs, I'll meet you in just a second.

 

Gilda

 

Sure. Bye!

 

Tony

 

Bye...

 

Scred

 

Hey, hey, Mr. Merkin, can I talk to you for a little while?

 

Tony

 

Listen, why don't you just call me Tony?

 

Scred

 

Okay, thank you! Uh -- you know, confidentially, I've seriously been considering leaving the Muppets... and, y'know, going on to bigger and better things...

 

Tony

 

Did you know that you just interrupted a sketch I was right in the middle of doing? 

 

Scred

 

I mean, y'know, I could do Weekend Update. I could be New Talent some week! Yeah, I don't always have to be a Muppet, y'know! Let's see. I could play Emily Litella!

 

Tony

 

Yeah, I'm sure you could...

 

Scred

 

No, listen, listen! Ahem.  [ puts on falsetto ]  "The other day I was sitting at a lunch counter, and a man came in and ordered a cup of coffee and a toasted english Muppet! I was outraged! Besides, the burnt fabric would get stuck in your teeth! I don't --"

 

Tony

 

No, no... the man obviously ordered a muffin, Scred -- a cup of coffee and a toasted english muffin

 

Scred

 

"... Never mind."

 

 

 

[ Applause ]

 

Scred

 

See what I mean? And I can sing, too! Wanna hear me sing? Ahem. I don't want to set the world on fire, I just wanna start a flame in your heart...

 

 

 

[ Ploobis enters from behind Scred. ]

 

Ploobis

 

Excuse me, what's going on here, Scred?

 

Scred

 

Oh. Heh heh heh. Nothing, nothing. I was just telling, uh, Mr. Tony, here, how well you sang.

 

Ploobis

 

Oh. Well. That's very nice. Us Muppets gotta stick together, you know. One for all, and all for one, right, Scred?

 

Scred

 

Yeah. Mmm hmm. Right.

 

Ploobis

 

Hey, listen, you... have you talked to somebody about when we get to do our thing on this show?

 

Tony

 

Working on it. I'm working on it.

 

Ploobis

 

Okay.

 

Tony

 

I've spoken to the producer, he's gonna find something for you... so why don't you go back to my dressing room, and sing -- you know, kind of warm up your voice a little bit.

 

Scred

 

Yeah, they showed us to your dressing room, it's really nice! It's got tile all over the wall, and lots of sinks... and bowls... and, hey, how come all the seats have holes in 'em?

 

Ploobis

 

C'mon, Scred. We'll go back there. There's a good echo in there, and we can rehearse our singing.

 

 

 

[ Ploobis exits. ]

 

Scred

 

Please, Tony!

 

[ Scred exits. ]

 

Tony

 

We'll be right back after these messages...

 

 

Then the Muppets pop up one more time, right at the end of the show. Tony is in front of the curtain, talking to the audience:

 

Tony

 

Ladies and gentlemen, we ran a little late...

 

Scred

 

Hey hey hey! Are we supposed to be on?

 

Tony

 

Oh, yes, I almost forgot... ladies and gentlemen -- the Muppets!

 

[ Applause ]

 

Ploobis

 

Oh, thank you... you know, a funny thing happened to me on the way to the studio...

 

[ The closing theme starts, and the rest of the cast comes out on stage... ]

 

Ploobis

 

Hey, wait a minute --

 

[ Enraged, Ploobis grabs John Belushi by the shirt, pulls him over roughly, and even slaps Belushi in the face. Meanwhile, Scred dances with Gilda. Ploobis pushes Belushi away and yells at the camera. Behind him, Belushi pulls a penknife. As Ploobis screams at the camera, Belushi raises the knife attack Ploobis, and Gilda and Jane Curtin restrain him. The episode ends, with Ploobis unaware of the danger he's in... ]

 

 

 

Gorch Fact

 

   At this point, obviously, the Muppets have lost the Saturday Night Live gig, and they're about to go off to England to do The Muppet Show. Already, Henson and the Muppets are popular, but they're just on the brink of enormous worldwide success. This is pretty much the last moment when a line like "We're the Muppets, we're big stars!" will be a joke, as opposed to an obvious fact. 

 

   The end of the Muppets' SNL gig is described in the autobiography of Henson's agent, Bernie Brillstein. Brillstein's book is called Where Did I Go Right?: You're No One in Hollywood Unless Someone Wants You Dead, and here's an excerpt from chapter 7:

 

*****

 

   "At NBC's insistence, Lorne [Michaels] and I had put Jim Henson and a brand new group of Muppets on Saturday Night Live, but by early 1976, only months into the first season, I had to get the Muppets off. 

 

   "In a moment of typical pique, head writer Michael O'Donoghue spoke for the staff when he announced that he 'would no longer write for fucking felt.' Good thing Scred, Ploobis and the Mighty Favog weren't real; his caustic manner would have torn their Muppet hearts in two. His attitude didn't bother me. Without the Muppets, NBC never would have put the show on the air, and O'Donoghue would have had to ply his perverse talents elsewhere.

 

   "The truth is that O'Donoghue and the rest couldn't write for felt. Unlike Kermit the frog and Rowlf the dog, these lizard-like Muppets were abstract characters. No one knew how they were supposed to act, and it made the writers uncomfortable. Also, the Muppets needed a gentler touch than the ever-edgier Saturday Night Live scribes could muster. The Muppet and SNL cultures just didn't mesh.

 

   "Lorne and Jim respected each other and wanted to end things without insult. The solution was to act like their exit was my idea. 

 

   "I said, 'Lorne, I think the Muppets should leave the show.' Without argument, he agreed to 'try and get them out.' "

 

*****

 

   Remarkably, even after they'd decided that the Muppets would leave, even after they'd been to England to shoot The Muppet Show, even after they burned the sets and John Belushi was threatening Ploobis on-camera with a knife... there's still three more chapters of the Gorch Anthology left to go! Stay tuned...

 

Next in the Gorch Anthology:

Chapter 13: Don't Look Down

 

Thanks to Scott Hanson for the Brillstein info and picture!

 

The Gorch Anthology

Anthology Contents

 

 

Danny@ToughPigs.com