Giant Frogs!, Part One

Published: May 1, 2002
Categories: Uncategorized

live1Part One: The Picture Phone

[ The show opens with a bare stage. There isn’t even a backdrop — just the brick “back wall” of the theater, with some ladders, light switches, and a door marked EXIT. Kermit enters, humming to himself and idly flicking on some lights. He suddenly catches sight of the audience. ]
Kermit


Dum dum de dum de dum dum… (gasp!) Oh my gosh! It’s time for the show! Oh, where is everybody? Uh. Ahem. Hi there! I’m Kermit the Frog, and we’re, uh… well, we’re almost ready. Well. [ He calls off stage. ] Fozzie? Gonzo? Piggy?
[ The Picture Phone wheels onstage — a giant TV screen with a phone attached. The phone rings, and when Kermit answers it, Mickey Mouse appears on the Picture Phone’s screen, sitting at his desk in his office. ]
Kermit


Hello?
Mickey


Kermit? Hiya, Kermit! It’s Mickey!
Kermit


Mickey?
Mickey


I’m calling on the Picture Phone to see how the show’s going.
Kermit


Uh… It’s going, uh, great! Just great!
Mickey


How does the audience like it?
Kermit


They — they love it! Just listen to this applause! [ He holds out the phone and motions for applause. ]
Mickey


Sounds swell! I can’t wait to see it.
Kermit


Me too…
Mickey


What’d ya say?
Kermit


Uh, nothing, Mickey — listen, I’ve gotta run! Uh… bye now!
Mickey


So long!
[ Kermit hangs up, and Mickey disappears. ]
Kermit


Oh. This is terrible. I can’t do this show alone. I know — the gang can’t be far. I’ll call ’em.
[ He picks up the Picture Phone receiver. Lily Tomlin appears, as Ernestine the operator. ]
Lily


A gracious hello. This is your Walt Disney World Picture Phone operator. How may I be of assistance?
Kermit


Uh. Well, you see…
Lily


Maybe you’d like a reservation at the Chefs Du France restaurant. They have a special on… frog’s legs. [ She chortles. ]
Kermit


Look, you don’t understand.
Lily


Sir, we at the phone company are trained to be understanding.
Kermit


Oh, good. Well, I’m trying to reach Miss Piggy.
Lily


Would that call be person to person?
Kermit


No, it’s more like frog to pig.
Lily


Frog to pig. To each his own. I’ll connect you.
[ Lily disappears, and we see Miss Piggy lounging in her bathrobe, talking into a phone. Her hair is up in a hairnet, her face is covered in beauty mud, and she and Foo Foo are chowing down on a box of chocolates. “I Feel Pretty” is playing in the background. This film insert is the real Piggy puppet, by the way. ]
Piggy


Bonjour!
Kermit


Piggy? It’s me, Kermit!
Piggy


Kermie, cherie, how are vous?
Kermit


Terrible! The show’s started! Where are you?
Piggy


Oh, Kermie, I am so sorry. But right now, I’m in an important business meeting with, uh, some of the Disney executives. You know — show biz?
Kermit


Piggy, this is a Picture Phone! We can see you!
[ Piggy looks directly at the camera. She screams and throws something over the camera. ]
Piggy


AAAAAAAHHHH! I’ll be right there!
[ The call disconnects. ]
Kermit


Great. Okay, that’s one down.
[ He picks up the phone again, and Lily appears. ]
Lily


A gracious good aft — oh, it’s you again.
Kermit


Uh… listen, could you please connect me to Fozzie Bear?
Lily


Oh, my my my. Aren’t we in a rush! Proper phone connections take time.
Kermit


I’m sorry.
Lily


You don’t know what sorry is.
[ Lily disappears, and we see a film insert of Fozzie, standing at a pay phone. ]
Fozzie


Hello?
Kermit


Fozzie! Where are you?
Fozzie


Kermit! Oh, Kermit! I don’t know where I am. I’m sorry, but I cannot make it to the show, because I am completely, and totally, and utterly, LOST!
Kermit


Well… Fozzie? See that green door behind you?
Fozzie


Yes.
Kermit


Go through it.
Fozzie


Okay… I’m going through it…
[ The Picture Phone hangs up as Fozzie goes through the door… and we see the big costume version of Fozzie enter through the door onstage. He runs up to Kermit. ]
Fozzie


Oh, no, Kermit! You’re lost too!
Kermit


Fozzie, this is the stage! Look!
Fozzie


Ohhhh… I knew that! Aaaaaah! Hiya hiya! Thank you, thank you, and thank you!
Kermit


Oh, good. Now, where’s everybody else?

by Danny Horn

Tagged:Anthology

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